21/11/2009

Amon Amarth - Musical style and lyrical themes

The band bases most of their songs on Norse mythology, the Viking Age, and the pre-Christian world. This mythology is an element that originally emerged as an ideological off-shoot of black metal in a genre known as Viking metal in the early 1990s, made popular by such bands as Bathory and Enslaved. Lead singer Johan Hegg's sister has once contributed lyrics for the band for the song “A Thousand Years of Oppression” on Versus the World[5].
When asked to comment on the band's genre, vocalist Johan Hegg remarked:
We play death metal. We write about vikings so, therefore, some refer us to viking metal, but I have no idea what that is. I can't imagine the viking’s veer into metal at all except on the swords and stuff. And musically, I guess they only played these strange lip instruments and some bongos or whatever.

Amon Amarth - History

Formed under the name Scum in 1988, the band was originally a grindcore group formed by Paul "Themgoroth" Mäkitalo (Dark Funeral) on vocals, Olavi Mikkonen on guitar, and Ted Lundström on bass. When Johan Hegg joined the band, their music changed towards melodic death metal. After a 1991 demo, they changed the band's name to Amon Amarth in 1992, then recorded their first demo Thor Arise under the name in 1993 followed by another demo in 1994 entitled The Arrival of the Fimbul Winter. In 1996, they signed with Pulverised Records, on which they released their first MCD, Sorrow Throughout the Nine Worlds, which sold 6000 copies.[2] They then signed with Metal Blade Records, and with the release of the album Once Sent from the Golden Hall in 1998, their popularity rose internationally. Since then they have done multiple Canada and US tours, festival appearances, seven music videos, and appearances in over 100 metal magazines.[2] In early January 2008, their first tour of Australia and New Zealand took place, along with supporting Dimmu Borgir, after finishing a US and Canadian tour with Sonic Syndicate and Himsa.
Amon Amarth extended their record deal with Metal Blade Records for three more albums.[3] After extending their record deal, the band released Twilight of the Thunder God, which featured guest appearances by Lars Göran Petrov of Entombed, Roope Latvala of Children of Bodom, and the cello metal band Apocalyptica. Accompanying the release of the album was an eight-page comic strip based on Norse mythology which was released by magazines from all over Europe.
Amon Amarth has embarked on a North American headlining tour in October 2008, with support from Ensiferum, Belphegor, and a melodic death metal band from Tampa named The Absence.[4] The band are also touring as support for the thrash metal band Slayer throughout Europe on the Unholy Alliance Chapter III.

Amon Amarth

Amon Amarth is a Viking-themed, melodic death metal band from Tumba, Sweden, founded in 1988 (current name since 1992)[1], and named after an alternative name for Mount Doom, a location in J. R. R. Tolkien's Middle-earth. As of 2009, the band is signed with Metal Blade Records and has released seven studio albums, one EP, one DVD, and seven music videos.

Evanescence - Musical style and influences

Critics vary in terming Evanescence a rock or metal band, but most identify them as some form of gothic band: Publications such as the New York Times, Rough Guides, Rolling Stone and Blender have identified Evanescence as a gothic metal act,[44][45][46][47] while other sources such as NME, MusicMight, IGN and Popmatters have termed them gothic rock.[48][49][50][51] They have been compared to a variety of bands from differing genres, such as nu metal ensembles like P.O.D. and Linkin Park,[52][53] gothic metal groups like Lacuna Coil,[54] and symphonic metal acts like Nightwish and Within Temptation.[55] David Browne of Blender offers an elaborate description of the band's music as "goth Christian nü-metal with a twist of melancholic Enya."[56] Adrien Begrand of Popmatters describes Evanescence as utilising "nu-metal riffage". [51] Adrian Jackson of My Dying Bride stated that he feels Evanescence is doing something similar to his own gothic metal group, only in a more commercial direction.[57] Gregor Mackintosh of Paradise Lost suggests that Paradise Lost has probably influenced Evanescence only indirectly through other similar acts.[58] Other genres and influences used to describe the band’s sound include alternative metal,[49][59] alternative rock,[49][60] hard rock,[49] post-grunge[61] and electronica.[48]
Evanescence was originally promoted in Christian stores. Later, the band made it clear they did not want to be considered part of the Christian rock genre.[62] Terry Hemmings, CEO of Christian music distributor Provident, expressed puzzlement at the band's about-face, saying "They clearly understood the album would be sold in these [Christian music] channels."[63] After many Christian stores began to remove the band's music from their shelves, Wind-up Records chairman Alan Meltzer then issued a press release in April 2003 requesting formally that they do this.[64] In 2006, Amy Lee told Billboard that she had opposed being identified as a "Christian band" from the beginning.[65] In response to the controversy it should be noted that Evanescence had this to say in the "Thanks" section of their Origin CD liner notes: "In closing we give all praise to and glory to the Lord Jesus Christ. All we have and all we are we owe to the Grace of Jesus. He is our strength and our redeemer. (Romans 6:4)"

Evanescence - In other media

Lee claimed that she wrote a song for the 2005 film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, but that it was rejected because of its dark sound. Lee went on to state that it was just "more great stuff [for The Open Door]".[41] Another song supposedly written for Narnia was the Mozart-inspired "Lacrymosa".[42] The producers of Narnia, however, refuted her claim, stating this information was "news to them" and that no Evanescence music had been planned for inclusion in the soundtrack.[43]

Evanescence - Third Album : 2009–present

In a news posting to the Evanescence website during June 2009, Amy Lee wrote that the band was in the process of writing new material for a new album proposed for release in 2010. She stated that the music would be an evolution of previous works and be "better, stronger, and more interesting".[4][37] The band also announced that they will be performing at the Maquinaria Festival in São Paulo, Brazil, on November 8, 2009.[38] Prior to their festival performance, the band played a "secret show" at the Manhattan Center Grand Ballroom in New York City on November 4, 2009 with label mates, Civil Twilight.[39] Ticket sales for the show sold out in under half an hour when released to the public.[40]

Evanescence - The Open Door: 2006–2008

A spokesperson for the band's label confirmed on July 14, 2006 that bassist Will Boyd had left the band for "not wanting to do another big tour" and wanting "to be close to his family." Amy Lee originally broke the news to the fans in a post on an unofficial Evanescence site, EvBoard.com.[21] In an interview with MTV, posted on their website on August 10, 2006, Lee announced that Tim McCord, former Revolution Smile guitarist, would switch instruments and play bass for the band.[22]
Evanescence performing at a concert in Brazil in 2007
The album progressed slowly for several reasons, including Amy Lee's desire to maximize the creative process and not rush production, other band members' side projects, guitarist Terry Balsamo's stroke, and the loss of their former manager.[23] Although Lee stated on the fan forum Evboard that Evanescence's new album would be completed in March 2006,[24] the release was pushed back allegedly because "Wind-up Records...wanted to make a few changes to the upcoming single "Call Me When You're Sober", which hit modern rock and alternative rock radio on August 7, 2006. The 13-track album The Open Door was released in Canada and the United States on October 3, 2006;[12] the United Kingdom on October 2, 2006; and Australia on September 30, 2006.[25] The album sold 447,000 copies in the United States in its first week of sales and earned their first #1 ranking on the Billboard 200 album chart, becoming the 700th #1 album in Billboard since the chart became a weekly feature in 1956.[14][26] The music video for "Call Me When You're Sober" was shot in Los Angeles and is based on the fairy tale Little Red Riding Hood. The Open Door became available for pre-order on the iTunes Store on August 15, 2006; the music video for "Call Me When You're Sober" was also made available.
The tour for The Open Door began on October 5, 2006 in Toronto and included locations in Canada, the U.S. and Europe during that year. This first tour continued on January 5, 2007 and included stops in Canada (alongside band Stone Sour), Japan and Australia (alongside band Shihad) and then returned to the U.S. for a second tour in the spring (alongside bands Chevelle and Finger Eleven).[27][28] As part of their tour, Evanescence performed on April 15, 2007 on the Argentinan festival Quilmes Rock 07 along with Aerosmith, Velvet Revolver and other local bands.[29] They also co-headlined on the Family Values Tour 2007 along with Korn and other bands.[30][31] The group closed their European tour with a sell-out concert at the Amphi in Ra'anana, Israel, on June 26, 2007,[32] and finished the album tour on December 9, 2007.[33]
John LeCompt, former Evanescence guitarist
On May 4, 2007, John LeCompt announced that he had been fired from Evanescence, and also stated that drummer Rocky Gray had decided to quit.[34] Wind-up issued a press release on May 17, 2007, stating that two Dark New Day members, drummer Will Hunt and guitarist Troy McLawhorn, would be joining the band to replace LeCompt and Gray.[35] It was initially stated that Hunt and McLawhorn would tour with Evanescence until the end of the Family Values Tour in September 2007,[36] but both continued to play with the band through The Open Door tour.[33]